I wonder if you’ve made some okay beats and now want to take your music to the next level…

It’s loud and clear: successful producers all have their own secret sauce. Their own bag of tricks, and their own methods. Most importantly, their own sounds. Signature sounds.

But at the heart of every great producer’s toolkit… is a stable of — drum samples that never grow old. They are classic and yet timely and in fashion all the time. They always sound like the in-thing, but they wouldn’t be out of place in a 90s RnB classic.

Maybe you can’t help but listen to music on a different level, appreciating the drum programming and composition of tracks. The non-producer mind doesn’t hear on the level you hear. You can hear a thumping kick… and wonder why it sounds so much better than the one in the last song? What makes this so special?

You can do this easily without much experience. One of the main uses for your computer may be music production. Sometimes energy will spike through you when you think about making a beat, but when you actually sit down and start to program your drums or compose your melody, it’s different…

Perhaps you’ve experienced that sometimes there is a bit of that energy missing… and when you start to go through your drum sample library, it can feel more like work. You may start to become uncomfortable, constantly adjusting your posture as you sit at your keyboard. Why doesn’t this feel like the times when you had an amazingly energetic vibe making music?

At a music production workshop in late 2010, I was asked whether I thought all drum sounds were made equal. I said, plain and simply, no. The follow-up question was: what I would avoid? I answered with the following examples which are wide-spread on websites and in even popular (and expensive) drum sample packs:

When you have the perfect musical ingredients, you are inspired to make music and there is not a dull moment. You can literally jump-start your creativity at any point.

You may in the past have made beats and looked at the clock in the middle of a beat making session… Shit! 1am? Where did the time go!? It’s one of those moments of lost time caused by immersion. Immersion in an art you love. The right ingredients help to set this mood all the time.

The future greats of music production do not like to be kept in the dark. They want to know, they want to learn. They want to possess the same tools. I know I do, because my music has to be of the highest quality. I haven’t had an angry client in 8 years!

And when you analyse a drum track – a simple drum track in a hit song – and wonder what makes it pop, the answer is not the drum structure or arrangement – because you’ve composed patterns like that yourself. The answer is not mixing and mastering – because even in the how-to videos for those beats the drums knock hard, and that’s pre-mixing. The answer is the tools used.

You can discover the tools today… and start making music knowing that you have the most prestigious sounds in the industry. I’m not kidding, and you’ll see why they are used by the best producers in the game in 2011.

Drum Quake is the baby of hundreds of hours of work and a ruthless, yet creative, process that achieves the best. The best in quality, the best in sonic character and the best in versatility.

Ever heard of bread and butter sounds? They are the type of sounds you can use anywhere. A lot of people maintain that bread and butter cannot have character.

They’re wrong.

Those who’ve listened to my Skype voice messages are astonished at the feedback others leave. Producers that have been on the Billboard radar (and much bigger than just a blip) just can’t believe they’ve been working without Drum Quake until now.

The MPC.

The backbone of 80% of all classic and popular hip-hop and r&b hits. I wonder if you know Dr. Dre has four of them. He daisy-chains them!

Everyone from Jermaine Dupri to Timbaland’s engineer Marcella Araica have sworn by the MPC mono convergence technique.

The MPC does something to the drums you feed into it. Something that is beyond description, but at the same time, you can hear it and recognise the character because it’s part of all the songs you grew up loving. Everything from MJ to Tupac to Wu-Tang and Eminem.

To be perfectly honest, the MPC is, in my mind, horribly overpriced for what it is:

But there is one thing that it does do well: it adds the legendary MPC character to everything that goes into it.

When my MPC 2000 XL arrived I put it to good use. I fed Drum Quake through it; the same sounds that have been lauded by producers since 2004. Wow, that took a while. I’ve been told it was worth the wait, so I’m happy.

There isn’t really a trick to this stage of my drum creation process. And I’ll tell all my private clients that, too. I have only one use for the MPC because I’ve found software to be better for my workflow. But nothing beats the hardware sound… as I found out…

I did what only a few producers have revealed they do; I fed my samples back into the MPC and I let the analog character of it waft across my sounds again. The entire collection.

The results… are superb.

I spent about 15 days on the initial “MPC run” (through the mono output of course) and I didn’t want to do that again because of the effort involved. But I had to do it.

As far as I’m aware, this is the ONLY MPC-fed drum collection…

I definitely KNOW that it is the only collection that’s been through the pipes TWICE… and going into an extremely transparent Apogee Duet audio interface on the way out.

These samples have scraped the gold of this legendary drum machine twice over.

When you have a precision-engineered product with the characteristics that historic analog equipment provides, you have a winner every time. And you’ll sit down to make amazing music whenever you like.

This is what you’ll get:

Best of all, each and every one of the 346 samples has been through the MPC 2000 XL two times for that authentic hint of analog smoke.

When you start to use these , you’ll notice there are two sections.

One section is all the samples stashed together.

The other contains the samples in tight-knit groups of samples that sound amazing together. They sound like they just belong with one another, and this organisation is the perfect antidote to can’t-make-a-beat-itis. Get inspired every time. Be ready… every time.

Join the Club: Start Using Drum Quake today: Just $27
until [fourdayz1] (Click Here!)

We all know the impact of the Roland TR-808 drum machine. In fact, it’s become so overused a reference in popular culture, I’ve heard young guys talk about any kick as “an 808.” But they aren’t correct. The 808 kick is very unique in its sonic quality. It’s the snap-less winding boom that became a pillar of modern and classic rap music, having also founded the disco age.

What you’ll get is the same set I paid $345 for in 2004 (through a private recording circle; these aren’t retail). These sounds aren’t for sale usually and they are not a rip-off set like you see being pushed by other websites and publications. These sounds are the most transparent ones I’ve ever heard, and you’ll be able to immediately recognise the quality as you go through the samples today.

Drum Quake sounds are compatible with Reason, HALion, EXS24, Kontakt, FL Studio, and more; basically any software or hardware sampler/drum machine (or instrument with input) will work.

If you don’t like the samples for any reason whatsoever, I’ll give you your money back, no questions asked. It’s as simple as that. I have complete confidence in my product and, on average, not even two people out of 100 request refunds!

You have absolutely nothing to lose, and everything to gain. It’s your music, and I know what this will do for you, so I want you to not be worried about anything.

Have a great time using these !

Marcel, BeatFuse.com

Related posts:

1. Drum Samples

Thank you. You can download DRUM QUAKE by clicking HERE.

This is a temporary link and will expire in five days. Thank you for your choosing BeatFuse!

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A music producer oversees a music project. He may never touch a keyboard or drum machine, but it is his (or her) ear that sees the song through to completion. He may work with session musicians and the mixing engineer to produce the exact song he hears in his head.

A beat maker, you guessed it, makes beats. A lot of people don’t like to be called beat makers, because they think the title music producer sounds more established. Another reason relates to the grey area I mentioned before; while technically not directing artists in a studio and marrying beat and vocals (and therein completing the song), a beat maker does more than just make the beat. He or she will create music that has an artist in mind. It may not be an exact artist, but an artist profile nonetheless. (For example, “gangster rapper with a fast flow.”)

Keeping the artist profile in mind as you put finishing touches to your music will help develop the beat into a song more quickly.

Artists will react more positively to a beat that they can see themselves singing or rapping to. We both know that some songs exist with mediocre beats but a great, catchy vocal track. I want you to really take this in: the beat is as good as the song it could be. Helping an artist see the potential is an art, and this is where you’re stepping into songwriting as well.

I hope you see where this is going. See, while it’s just a beat, the extra steps you take do put you into the music producer category. If you can see the complete song, you’re mentally prepared to produce that song. You can get there technically as well if you’re prepared to put in a little bit of time.

I’d like to finish this introduction by saying that the terms ‘beat maker’ and ‘music producer’ are just titles, and you shouldn’t let them limit you. Just do what you want to do, and do it to the best of your ability.

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“Who Else Wants To
Make Beats Like
Timbaland and Dr. Dre?”

They Laughed When I Opened Up My Music Production Program,
But When I Hit ‘Play’…

I have never seen expressions change so fast in my life.
When I started to learn how to make your own beats, I never thought of moments like this.

One second I was just a nerdy kid with an unrealistic dream of becoming a music producer…

Then it happened. The beat dropped in… and everything my classmates had thought about me changed in an instant. I had blown their minds.

I remember hearing ‘woah!’ right after the lead synth came in, a rasping, wobbling synth sound like you might’ve heard in 50 Cent’s Ayo Technology.

By far the best response was Samantha’s. She was quiet for the first few bars, and I wasn’t sure whether she was as impressed as the others. Then, after about 8 bars when the snare pattern changed slightly and the bass came in, she just screeched, “no way!!!”

Imagine how you’d feel after a moment like this. I felt like I was flying. It was surreal!

I don’t make beats to impress people, though. It has more practical purposes, like generating income on the side.

Example: using popular media placement websites, I landed a spot on an MTV cribs episode in 2006. A 16-second loop that was used by the show years ago is still earning me royalties TODAY!

The royalties through placements like this are nice, but you can also sell beats on any one of the popular online beat-selling marketplaces for quick and easy money. I’ve been doing this since 2005, and my earnings have only grown with time…

“If That Eminem-Like Hip-Hop Beat You Just Made
Generated Just $148 Automatically For You,
Each and Every Month,
How Many Would You Make In A Day?”

After you learn to make your own beats, You can sell them with exclusive rights (one sale – big money), or with restrictive limitations (leasing them for personal, not-for-profit projects; multiple sales). It’s really up to you. I prefer the lease option, because I still want to maintain all rights to my music.

Anyway, this is all something I go through in detail in a bonus report included with this system. It’s not the main attraction…

What I really want to do is…

Show you how to set up a home studio on a shoestring budget, and start making amazing beats in the least time possible, so you can be motivated by early results.

Then, you’re going to perfect the craft and start creating tremendous music. No ifs, ands or buts… you will do this!

If I could do it, you can, too. It’s not hard once you have the right information.

Why most people fail

A lot of aspiring music producers who are beginning to take their first steps simply give up. Why?

• They think you need a thousand-dollar studio to make beats.
• They think it takes months before you’re making hot beats.
• They think you need to spend dozens of hours learning dull music theory.
• They think you need to master the piano.
• They aren’t sure which programs to start with. They aren’t sure how to begin learning. They just… can’t start properly.

Let me tell you, when I started out learning how to make your own beats, I was also confused. And I wasted months of my time trying different programs and different methods. It wasn’t easy!

But… once I got the hang of it, I knew it was much more simple than I had ever thought. And I want to tell you everything I know, so you can go from Timbacan’t to Timbaland in record time.

The people who gave up did not visit this site. They didn’t get Beat Sniper, the massive, in-depth music production course I created. Because I structured Beat Sniper in a way that basically guarantees success. It’s always interesting, informative and takes you through the necessary steps in a logical fashion, so that everything clicks at the end of each section and during each included video.

Introducing… BEAT SNIPER

A system that truly grows with you… that was my vision. A guaranteed way to make your own beats. And it’s finally a reality. You won’t need to watch all of the videos and read the reports to get started, but you’ll come back to them time and time again and pick up new tips and tricks.

$24

NOTE: Price is only valid until [special719v2] when it will go back to $37 — this is as a thank you for the members that have emailed their success stories and have shown me that I should make this more accessible sometimes — and $24 is even more affordable! Grab it while the price is low!

The entire Beat Sniper system is covered by a full 30-day guarantee.

If for any reason you’re not satisfied with this course, just email me and I’ll issue you a prompt refund. No questions asked. It couldn’t be more simple.

I look forward to hearing YOUR success story.

Sincerely,

P.S.: So here’s exactly what you will get, risk-free, so that you can begin to make your OWN beats ASAP: the Quick-Start guide (50 pages to get you up to speed the right way), the Principles and Concepts module (30 pages – absolute gold), the Composition and Theory module (40 pages of closely-guarded music secrets), the Drums module (4 videos totalling 45+ minutes of run-time), and last, but not least, the updated Promote Your Music special report (30 motivating pages of pure proof and examples of what works and what doesn’t in 2011). Do you want to make professional beats? CLICK HERE to get Beat Sniper at the DISCOUNTED PRICE OF $24 before it goes back up. (Price will be returned to normal once I get a few more testimonials.)

P.P.S.: Oh, and I nearly forgot… To reward you for your dedication (you’ve read this far, so I know you’re serious), I’m including my entire set of 346 premium drum samples, so you can have the hottest sounds available. That’s right, the same “Drum Quake” set professional producers are buying from the Drum Samples page HERE for $24 (which is unheard-of value on its own) is yours free if you order now.

Grab Beat Sniper with a limited time discount now!

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The following terms and conditions govern all use of the beatfuse.com website and all content, services and products available at or through beatfuse.com (hereafter sometimes referred to as the Website, or Site). The Website is owned and operated by Marcel H. (“the Owner”). The Website is offered subject to your acceptance without modification of all of the terms and conditions contained herein and all other operating rules, policies (including, without limitation, the Owner’s Privacy Policy) and procedures that may be published from time to time on this Site by the Owner (collectively, the “Agreement”).

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If you require any more information or have any questions about our privacy policy, please feel free to contact us by email at store [at] beatfuse.com.

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1. Terms of Service
2. Sitemap

Information and security
Terms of Service
Privacy Policy
About Us
Contact Us
Sitemap

Our site blog is located here:
Blog

The art
How to Make Beats
Making Beats

The tools
Drum Samples
Hip Hop Samples
Best Drum Sounds
Drum Loops
Drum Machine Samples
Free Drum Samples
Beat Maker Software
FL Studio
FL Studio Tutorials

Investigative
Dissecting Slim Thug’s Welcome 2 Houston

This is a list of pages on the site which are still to be developed.
FL Studio Beats
Beat Maker
How to Rap Freestyle
Drum Loops
Learn Music Theory
Music Production
Learning to Sing
Violin Lessons for Beginners
Piano Lessons for Beginners
Starting a Record Label
Get a Record Deal
USB Turntables
How to Become a DJ

Related posts:

1. Piano Lessons for Beginners
2. Keyboard Lessons for Beginners

In Q1, 2012, we will have offices set up on the East Coast of the United States, and you’ll be able to contact us by phone. In the meantime, please correspond electronically via email.

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Please keep an eye on the site over the next few weeks… it’s due for a major overhaul!

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Motivated? Great. Because it gets better.

After being exposed to the evidence presented in Beat Sniper, you will look back on this quote with excited positivity.

Why? Because you don’t have to find 50 Cent, or get past his bodyguards, and you certainly won’t have to throw your beat CD at him while getting tackled by a 300-pound Russian!

For the 2 music producers who scored their big breaks with G-Unit artists like 50 Cent, it was much, much more simple. They’ve both ended up on 50’s albums, and neither had actually met the superstar himself before they started collecting massive royalty checks. In fact…

An email that would change this young man’s life forever. Are you ready?

With advice, quotes and videos from these producers – and others – to back up each never-before-revealed concept in Beat Sniper’s bonus module, Promote Your Music, your path to beat maker stardom will be clearly laid out.

What do I mean, “bonus”?

Well, this game-changing 30-page music promotion report isn’t even the meat of the system. It’s something you can read before and after absorbing the main Beat Sniper course, to stimulate your mind with a lightning strike of positive momentum. And it does that very well.

Even if you’ve never made a beat in your life!

A host of famous producers and A&Rs weigh in on the grey areas that have plagued so many beginners…

You can imagine the shock and dismay among the “big” producers when they don’t get on one of the biggest albums of the decade, but this “no name” does!

… And now it’s your turn.

Beat Sniper is the most thorough beat making guide for hip-hop and pop producers.

It’s about the concepts, principles and perception tricks that every other system neglects.

This is the stuff that’s going to separate you from the competition. Advanced subject matter is explained as plainly as possible, with great examples so you can implement them in your own tracks.

With analysis of famous beats to reinforce the information, you won’t be left wondering!

It’s not about racking your brain over knobs and settings, and it’s not about slaving over music theory books in your spare time. That’s boring. I’ve done the hard work for the last few years so you don’t have to!

It’s simply giving the principles in Beat Sniper consideration as you make your own beats, and make your next hit.

This small amount of natural effort will shoot the quality of your music through the roof. It feels great to do it, too… employing the same principles that have made famous some of the BIGGEST tracks in the urban and pop world.

And it’s all within reach now…

Taking your beats to the next level is great and all, but what if you have never made a beat before? What if you don’t know the first thing about MIDI controllers, DAWs or softsynths?

In addition to the advanced modules in Beat Sniper, I prepared a 50-page quick-start guide that examines everything from the macro level so you can have your own ‘aha’ moment as soon as possible; you get a great overview of the type of set-ups available, the programs you can use (including my “safe bets” at multiple budgets, so you’re always covered), and also fresh insights on the debates that continue to confuse enthusiastic beginners.

You’ll learn everything you need about hardware, software and audio flow, so you can get on with making great music.

Unfortunately, most people never get off on the right foot.

They might buy the first $30 program they lay their eyes on, and wonder why their beats end up sounding like Canadian day-time television jingles.

Or… they’ll get $700 of equipment that they can’t figure out how to use, out of impulse. They get frustrated, depressed and then move on, leaving a permanent negative cloud over the whole art.

Both these approaches obviously aren’t ideal.

I would definitely advise against spending big to start with. In the Promote Your Music report, I name the hip-hop superstar who made millions with his first album, which was produced entirely with the demo version (free download!) of a program that costs less than $100.

You can be downloading that same program five minutes from now, and begin to apply the Beat Sniper principles that will accelerate your music and your success, like…

And…

Much more than what it’s being offered for! You’ll be glad to hear that the entire system is, for the moment, priced at just $27 until April 15th, 2011, or when 50 copies have been sold, whichever happens first. That’s absolute peanuts when you consider what you’re about to get your hands on!

You’ll get the Quick-Start Guide, the Principles and Concepts module, the Composition and Theory module, the Drum module (containing 45+ minutes of video lessons!) and the Promote Your Music special report, for just $27.

You’ll be granted an immediate download! Best of all, you’ll get free updates for life. I plan to make this the single biggest beat making resource for the serious producer, so you’ll be hearing from me with every major update.

The entire Beat Sniper system is covered by a full 30-day guarantee.

If for any reason you’re not satisfied with this course, just email me and I’ll issue you a prompt refund. No questions asked, but I do reserve the right to think you’re crazy…

You really have nothing to lose with this risk-free guarantee.

I look forward to hearing YOUR success story.

Sincerely,

Marcel from BeatFuse.com

P.S.: So here’s exactly what you will get, risk-free, so that you can begin to make your OWN beats ASAP: the Quick-Start guide (50 pages to get you up to speed the right way), the Principles and Concepts module (30 pages – absolute gold), the Composition and Theory module (40 pages of closely-guarded music secrets), the Drums module (4 videos totalling 45+ minutes of run-time), and last, but not least, the updated Promote Your Music special report (30 motivating pages of pure proof and examples of what works and what doesn’t in 2011). And don’t forget the free updates for life! Do you want to make professional beats? CLICK HERE to get Beat Sniper!

P.P.S.: Oh, and I nearly forgot… To reward you for your dedication (you’ve read this far, so I know you’re serious!), I’m including my entire set of 346 premium drum samples, so you can have the hottest sounds available. That’s right, the same “Drum Quake” set professional producers are buying from the Drum Samples page HERE for $7 (which is unheard-of value on its own) is yours free if you order now.

Related posts:

1. Make Hip Hop Beats